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Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, by Nicholas G. Schlegel
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From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is even more remarkable when compared with the output of studios and production companies in the United States and elsewhere at the same time. What accounts for the staggering number of films, and what does it say about Spain during this period?
In Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, Nicholas G. Schlegel looks at movies produced, distributed, and exhibited under the crumbling dictatorship of General Franco. The production and content of these films, the author suggests, can lead to a better understanding of the political, social, and cultural conditions during a contentious period in Spain’s history. The author addresses the complex factors that led to the “official” sanctioning of horror films—which had previously been banned—and how they differed from other popular genres that were approved and subsidized by the government. In addition to discussing the financing and exhibiting of these productions, the author examines the tropes, conventions, iconography, and thematic treatments of the films. Schlegel also analyzes how these movies were received by audiences and critics, both in Spain and abroad. Finally, he looks at the circumstances that led to the rapid decline of such films in the late 1970s and early 1980s.
By examining how horror movies thrived in Spain during this decade, this book addresses a sorely neglected gap in film scholarship and also complements existing literature on Spanish national cinema. Sex, Sadism, Spain, and Cinema will appeal to fans of horror films as well as scholars of film history, European history, genre studies, and cultural studies.
- Sales Rank: #1659758 in Books
- Published on: 2015-06-11
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x .89" w x 6.28" l, .0 pounds
- Binding: Hardcover
- 232 pages
Review
Published scholarship on horror cinema has increased dramatically in recent years, and now Schlegel provides a readable, informative history of the genre in Spain. As Schlegel observes, the Spanish horror film has been understudied; he seeks to fill that gap with this study, which is the first English-language book on the subject. Taking a contextual approach significantly influenced by Fredric Jameson’s The Political Unconscious: Narrative as a Socially Symbolic Act Schlegel conceives of his project as a ‘cultural history through textual and industrial analysis.’ He fruitfully examines the socioeconomic, political, cultural, and historical contexts in which Spanish horror movies were produced in the ‘boom’ period 1968–1977. Specific topics examined include Francoist censorship, the financing and marketing of Spanish national productions and international co-productions, manifestations of the zombie subgenre in Spain, and the Euro-horror tradition as manifested in several selected films. Schlegel offers close readings of key feature films, e.g., El jorobado de la Morgue . . . .The book's scholarly apparatus is thorough. Summing Up: Recommended. Upper-division undergraduates through faculty. (CHOICE)
As a history buff and a horror film enthusiast, I found the book particularly rewarding and admired the way it used extensive research to explore how social, political and economic unrest can manifest in movies that have all too often been regulated to the trash bins of cinema history . . . [The book includes] insightful essays on some of the best horror films made during the period . . . Schlegel expertly blends scholarship with measured enthusiasm to deliver a valuable text that should appeal to genre novices as well as aficionados. (TCM's Movie Morlocks)
Sex, Sadism, Spain, and Cinema : The Spanish Horror Film belongs to the canon of work in which valuable academic rigor is balanced with a cinephile's passion for the 'depreciated genre' par excellence -- the horror film. Nicholas G. Schlegel, a film historian who has previously written about the Mexican and Japanese horror movies, brings a considerable amount of information to the area of Spanish horror … [This is] an indispensable book for the English language market; we can only hope that its author will publish a second volume. (Hypotheses.org)
[Schlegel] has written an amazing book about Spanish horror. . . .[The author's]interaction to historical settings, to historical events . . . and everything [else] that you have in the book . . . [makes it] one of the best ones I’ve ever read . . . I was very impressed that a person who is not Spanish could have done something so great about our culture. (Spanishfear.com-Horror Rises From Spain)
Sex, Sadism, Spain, and Cinema is as much for fans of horror films as it is for scholars of film history and cultural studies. It is the best book on the subject. This book is very well-referenced and well-researched. It should be part of university film courses. (The Washington BookReview)
[The book] represents a wonderful way of approaching our cinematography for those who want to enter on Spanish horror cinema of that time, but also for the scholars in the subject, since it offers a point of view free of nostalgia or favoritism, and lacking any kind of prejudice. . . .Proyecto Naschy strongly recommends [this book] to anyone interested in Spanish horror cinema. (Proyecto Naschy)
This book explores how a group of films produced, distributed and exhibited under the crumbling dictatorship of Francisco Franco reflected the political, social and cultural conditions in Spain between 1968 and 1977. During this decade, Spain experienced a boom in horror movie production that rivaled other sectors of production and yielded staggering success. This work canonizes these films in relation to their historical genesis, aesthetic characteristics and their social reception.
About the Author
Nicholas G. Schlegel is an Assistant Professor of Communication at Alfred University. His interests include cult, exploitation and horror cinema with a global emphasis and his essays have appeared in a number of anthologies including Draculas, Vampires, and other Undead Forms: Essays on Gender, Race, and Culture (Scarecrow Press, 2009).
Most helpful customer reviews
3 of 3 people found the following review helpful.
I didn't expect the Spanish...
By ewaffle
One of the many strengths of Nick Schlegel’s “Sex, Sadism, Spain, and Cinema: The Spanish Horror Film” (SSS&C hereafter) is that it shows that a book with academic rigor and scholarly design can be written about a popular subject—a subject that is vulgar in the sense of common, widely disseminated or of mass appeal—and still be both thought-provoking and eminently readable. Horror movies are as popular/vulgar/common/fun as anything can be but are also signs that point to larger issues of culture, agency and the subversion of normative social influence. You get both and more in this book.
Schlegel clearly knows his stuff. He has seen all (or if not all, probably 99%) the Spanish horror movies released in the 1968 to 1977 period plus most of them from before 1968--the "Selected Filmography" is long and comprehensive enough to cover the genre. You can tell he has read widely and deeply and mastered the sources but also adds to our understanding of the movies and enjoyment of the book with interviews of some of the important figures of Spanish cinema.
SSS&C isn’t dumbed down for the general reader—it doesn’t need to be. While it is true that the more one knows about movie production and marketing, critical theory and the relationship of popular art forms to social and political structures the more one will take away from the book, it does a good job of describing some of the technical critical and cinematic terms used and does so in the flow of the narrative. And, of course, it is about horror movies which so many of us learned to love and be scared by as children. I think part of the continuing popularity of horror is less the movies themselves but the way we recall the emotional and visceral punch of Frankenstein’s monster awakening, the full moon rising behind a person who can change to a werewolf or the whirr of bat wings as the heroine enters the dark castle.
Horror movies were cheap to make and had a guaranteed audience—which is still true today—but they still had to pass the censors appointed by or in consultation with the Catholic Church, even into the post-Franco period. Spanish director Eugenio Martin discusses this in an interview where he talks about the self-censorship practiced by writers and directors, doing the work of the official overseers by limiting themselves what made it onto the screen. An interesting parallel to film censorship in Falangist Spain is with the People’s Republic of China. Until recently horror movies not allowed to be shown in mainland China, including (or especially) those churned out in such numbers just across the border in Hong Kong. Horror meant the supernatural, the antithesis of materialism, and was simply forbidden by the Communist Party.
3 of 3 people found the following review helpful.
Great book. I've always been a sucker for the ...
By John Abar
Great book. I've always been a sucker for the unique Spanish Horror and Exploitation flicks of the 60's and 70's, and this is a well written account of the trials and tribulations the directors, producers, casts, and crews faced while under the reign of General Franco while trying to get their product out into the world. Interesting from beginning to end. I ended up digging up some of these old gems and re-watching with a new appreciation. A little pricey for the size of the book, but this is quality research and writing and really is well worth the price especially if you are a fan of these genre flicks. There aren't too many books I know of that deal exclusively with these films, but this is hands down the best writing on the subject that I have encountered.
2 of 2 people found the following review helpful.
A must!
By Elena Romea
An amazing book about Spanish Horror which covers most of the most important films of what it is called The Spanish Horror Golden Age, paying special attention to the social and politic background so the new generations and non expert on the subject fans can understand everything around it. It is a must for die hard fans who can broaden their minds and look deeply and under a new vision into these classic and also an essential work for newbies who has just discovered these flicks.
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